is a reduction of the eponymous ensemble piece, which considers dichotomies of disassociation & solidarity, rhythmic stability and the lack thereof. The validity or truth of the possibility of consent in a given endeavour, starting from the employment relation — the totality of structural facts and juridical codifications that make it possible for some to involve others in the realisation of their own enterprise — is brought into question, contextualised by Spinoza’s notion of the conatus: the most pure and essential life force, the energy of desire, before meeting the infinitely varied affects & conditionings brought upon by an environment†.
from Frederic Lordon′s Willing Slaves of Capital: Spinoza & Marx ON DESIRE.